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Magnificent frescos in the Tang Dynasty
Murals,
one of the ancient Chinese artistic forms, were well-noted for their
history of over 2,000 years. This art form is known for its distinction
in Chinese painting and plays an important part in the history of
world civilization.
As a religious faith which, encouraged by royalty, had a mass following,
Buddhism left a deep mark in the political, economic and cultural
spheres during the height of Tang. To propagate Buddhist doctrines
to fortify its own rule, the royal palace and many pagodas and temples
were erected and grottoes dug. These were invariably embellished
with sculptures and paintings, which explains the large member of
engravings and graphic arts to be found in Tang Dynasty temples
and grottoes. The Longmen Grottoes in Luoyang have 1,352 caves,
750 niches and 97,000 Buddhist images, more than half of which belong
to the height of Tang. In Mogao Grottoes in Dunhuang, Gansu province,
there are 492 caves with more than 2,100 coloured sculptured figures
and murals covering more than 45,000 square metres, many of which
date back to the golden age of Tang Dynasty. These artistic gems
were executed by a perfect combination of Indian and traditional
Chinese methods. The Tang paintings were not confined to Buddhist
architecture alone, many were also found in imperial palaces and
mausoleums.
In the early 70s, a good deal of Tang tombs, treasuries of art,
were successfully excavated 50 miles around the ancient capital
city of Chang'an. The murals and historic relics unearthed from
the tombs created a furore among painters, artists and historians
all over China as well as among experts abroad. The spectacular
frescos with their particular contents provided invaluable first-hand
material for the study of the history of Chinese fine arts, figure
painting in the Tang Dynasty and techniques of mural painting. Splendid
and realistic, the frescos in the tombs of Princess Yongtai, Crown
Prince Zhanghuai, Crown Prince Yide (all excavated in Qianxian County)
and Li Shou, the Prince of Peace, in Sanyuan County, vividly reflect
the positions of the occupants and truly unfold the court etiquette,
dressing styles, and life patterns of the time.
Paintings
of Palace Maids in Princess Yongtai's tomb, Watching Bird and Catching
Cicada in Crown Prince Zhanghuai's tomb, Playing Polo, Receiving
Foreign Guests and Hunting Procession can be favourable compared
with Travelling by Carriage and Portraits of the Kings in History
by the great Tang painter Yan Liben.
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